Sara Glojnarić

Solo

Latitudes #2 (2021) for drumset, electronics (duration: 10′)

Latitudes (2020) for piano, video (duration: 9′)

Chamber music 2-3 players

Artefacts #2 (2019) for soprano, percussion, tape (duration: 11′)

sugarcoating #2 (2017) for piano, clarinet, violoncello (duration: 10′)

chamber music 4-9 players

sugarcoating #3 (2022) for ensemble (fl, ob, clar, sax, drums, KLav, Vl, Vla, Vc) (duration: 11′)

we are too weird for TV (2022) for string quartet, feeds (duration: 12′)

Artefacts #3 (2020) for flute, percussion, piano, accordion, violin, violoncello, video (duration: 6′)

SYNCD. (2018) for percussion quartet (4 timpani and 8 springs) (duration: 15′)

sugarcoating (v3.0) (2017/20) for flute, oboe, clarinet, saxophone, percussion, piano, violin, viola, violoncello (duration: 11′)

Indispensable Ms. Jones (2016) for keyboard, electric guitar, percussion, violoncello, flute and electronics (duration: 10′)

Ensemble

Pure Bliss (2022) for ensemble (flute, oboe, clarinet, saxophone, bassoon, horn, trumpet, trombone, percussion, piano, violin, viola, violoncello, contrabass) recordings (duration: 13′)

sugarcoating (v2.0) (2017-18) for large ensemble (2 flutes, oboe, clarinet, bass clarinet, horn, trombone, percussion, piano, 2 violins, 2 violas, 1-2 cellos, 1-2 double basses) (duration: 11′)

sugarcoating (v1.0) (2017) for ensemble (flute, clarinet, horn, tuba, percussion, piano, violin, viola, violoncello, double bass) (duration: 11′)

Orchestra

sugarcoating #4 (2022) for orchestra (2-2-2, 4-2-4-1, 3 perc, strings) (duration: 9′)

EVERYTHING, ALWAYS (2022) for string orchestra and percussion (duration: 13′)

Vocal Music

Artefacts #2 (2019) for soprano, percussion, tape (duration: 11′)

Artefacts (2018) for 6 vocal soloists, tape, video (duration: 10′)

Music Theatre

NEUROMOON – chamber opera on a libretto by Emma Braslavsky (2022/23) for 4 singers, actors, 5 instruments, electronics and video

Im Stein – music theatre on a libretto by Clemens Meyer (2020/21) for soloists (sopr, mezzo, count, tenor, bass, 1 actress, 3 actors), choir, orchestra, electronics (duration: 90′)

Kein Mythos (2020) for 2 singers, vocoder, string quartet, percussion, video (duration: 25′)

Pray, chuck, come hither – music theatre after William Shakespeare (2019) for soprano, tenor, ensemble (oboe, trumpet, percussion, harp, electric guitar, keyboard, violin, cello, double bass) and tape (duration: 25′)

Zabica kraljica (Frog the Queen) – Puppet music theatre for children (2017) for soprano, double bass, piano, percussion, puppeteer (duration: 35′)

Electronics

This Champagne Is Burned (2021) for video (duration: 9′)

#popfem 2 (2018) for video (duration: 5′)

#popfem (2016) for video (duration: 7′)