Composer Prize 2015
Mark Barden
Works
- Gehören (2015), for chamber orchestra, 5′
- viscosity (2014), amplified string trio with volume pedals, 15’
- five monoliths (2014), ensemble (open instrumentation), 10’
- harvest (2013–14), quartet (viola, cello, double bass, and percussion), 12’
- Nocturne (2013), string quartet, 11’30
- a tearing of vision (2012), large ensemble, 10’
- puls (2012), solo percussion, 8‘
- witness. (2012), electric guitar, soprano sax, percussion, piano, 14’
- flesh|veil (2012), octet, 12’30
- — caul — (2011–12), ensemble, 22’
- Tenebræ (2011), octet for modern and Baroque instruments, 14’
- two masks (2011), open instrumentation, 10’
- machine (2011), open instrumentation, 3’
- ألم (Alam [Pain]) (2011), concert installation for ensemble & electronics, 12’
- anatomy (2010), large orchestra and percussion solo, 9’
- viscera (2010), viola, cello, double bass, 7’
- gauze II (2010), nonet (bass fl, cl/bass cl, ten. sax, pno, perc, hrp, vn, va, vc), 15’
- personæ (2009), bass flute and bass clarinet, 9’
- gauze I (2009), nonet (bass fl, cl/bass cl, ten. sax, pno, perc, hrp, vn, va, vc), 8’
- die Haut Anderer (2008), for e.h., piano solo and optional video, 9’ or 12’
- looking for a man to love & fuck (2008), a performance-installation for septet (sopr. sax, cl, e-gtr, 2 acc, vn, va), video, and electronics, 155’
- Unterdruck (2007), solo prepared harp, 9’
- kairos incised (2007), sextet (vn, cl, e-gtr, pno, perc (+ pno II), cb), 12’
- Chamber (2006-07), three (untrained) amplified (male) voices, 12’
- Sonnenstein – Cell 2 (2006), a performance-installation (with director Virginia Preston) for actress, laptop, 2 loudspeakers, 2 microphones, 13 hidden radios, windows, walls, and accordion, 45’